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Stephanie and I talked about a theatre near her closing and how many other theatres around the country have gone out of business. We also talked about declining box office revenues and how it says something when MAJOR theatrical releases, AKA Tentpole Films, are continuing to underperform at the box office, regardless of the cast.

She spoke with Marty (the day before he left for Malta) and Marty said he had worked with Angelina Jolie's manager in the past and would contact him when he got back from Malta. Stephanie also realized she had an additional phone number for Fortis Films, Sandra Bullock's production company, so she passed it along to Marty.

My goal was for us to come up with some actionable steps to move forward with THE ONLY WAY OUT and that conversation achieved the goal. It was a great call. We had the most amazing chat, got caught up on what's been going on in our personal lives, then dove into THE ONLY WAY OUT.

I got word the other day that Netflix passed on THE ONLY WAY OUT. This was quite the head scratcher for me, Marty, Stephanie, and Steve...

I'm so excited to announce that, after months of crickets, I'm finally seeing some forward momentum for THE ONLY WAY OUT.

Ever since THE ONLY WAY OUT won TrackingB's Screenwriting Contest, I've been crazy busy with Hollywood meetings...

I was so frustrated that I was ready to throw in the towel with screenwriting, but then I received an email from Adam at TrackingB...

Long story short, that something turned out to be a serious disc herniation at C6/C7, one which required emergency cervical spine surgery.

Carey Hart entered the room and P!nk happily introduced us.

Every once in a while, from out of nowhere, an opportunity strikes to pitch your script. This is what happened to me with THE ONLY WAY OUT!

The day after Steve and I spoke, Marty messaged me that he was sending the script to a friend at Netflix...